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	<title>Gant Mizick Music Publishing</title>
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		<title>Gant Mizick Music Publishing</title>
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		<title>The Muse&#8217;s News</title>
		<link>http://gantmizick.wordpress.com/2010/07/10/the-muses-news/</link>
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		<pubDate>Sat, 10 Jul 2010 16:15:10 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<category><![CDATA[Muse's News]]></category>

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		<description><![CDATA[The Muse&#8217;s News An E-zine For And About Songwriters. Issue 13.4 July 2010 In This Issue: * Editor&#8217;s Musings * Music Reviews &#8211; Cyrus Rhodes, Dan Cohen &#38; Don Sechelski * New Artist Spotlight Additions * Songwriting Book Review &#8211; by Ed Teja * Musical Notes &#8211; Songwriting Contests &#38; Market Info. * Muse&#8217;s Clues [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=35&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The Muse&#8217;s News<br />
An E-zine For And About Songwriters.<br />
Issue 13.4</p>
<p>July 2010</p>
<p>In This Issue:<br />
* Editor&#8217;s Musings<br />
* Music Reviews &#8211; Cyrus Rhodes, Dan Cohen &amp; Don Sechelski<br />
* New Artist Spotlight Additions<br />
* Songwriting Book Review &#8211; by Ed Teja<br />
* Musical Notes &#8211; Songwriting Contests &amp; Market Info.<br />
* Muse&#8217;s Clues &#8211; Songwriting Web sites that inspire &#8211; brought to you by singer/songwriter &amp; teacher, Irene Jackson.<br />
* Featured Article &#8211; Lucky Emma &#8211; by Sally Morgan<br />
* On Site Featured Article &#8211; An article already online for your viewing pleasure.<br />
* Classifieds &amp; Useful Services<br />
* Contact information<br />
ISSN 1480-6975. Copyright 1998-2010 &#8211; Jodi Krangle.<br />
For more contact information, see end of issue.</p>
<p>FIND THE PERFECT SUPPLEMENT FOR YOUR SONGWRITING!</p>
<p>All sorts of products and services especially for songwriters, negotiated so that you get the best price possible. You&#8217;ll find means of promotion and distribution, songwriting aids, educational products, musical instruments and their accessories, and lots more. Any of these items would be a great way to kick start your creativity and marketing efforts. Check it out!</p>
<p>Sponsor Message:<br />
(Many thanks to the sponsors that help support this newsletter!)</p>
<p>WRITE BETTER SONGS WITH MASTERWRITER 2.0 &#8211; NEW PRICE!<br />
(And Muse&#8217;s News readers *still* get a special discount!)</p>
<p>MasterWriter 2.0 &#8211; at New Price!Looking for something really special for that songwriter in your life? (Maybe it&#8217;s you!) MasterWriter 2.0 is the most powerful suite of songwriting tools ever assembled in one program. MasterWriter is endorsed by ASCAP, BMI, SESAC, NSAI and is used by some of the world&#8217;s leading songwriters including Gwen Stefani, Rob Thomas, Kenneth &#8220;Babyface&#8221; Edmonds, Jimmy Webb, Kenny Loggins, Trent Reznor, Clint Black, and many more.</p>
<p>In addition to giving you Rhymes, Close Rhymes, Phrases, Pop-Culture, Synonyms, and the Definition, new features include Word Families and Parts Of Speech, two unique and revolutionary reference dictionaries that will open up a new world of possibilities for descriptive words and ideas. There have been updates and improvements to the existing features, including greatly expanded Sound-Alikes (close rhymes), and a completely redesigned Interface. These are serious tools for the serious songwriter.</p>
<p>MasterWriter&#8217;s NEW price is now only $199 &#8211; but you&#8217;ll still get a *$20* discount (your price is just $179!) by ordering through The Muse&#8217;s Muse! Take the Tour, Download a Free Trial, and get a $20 discount! Note that the auto-inserted discount number 3004 will apply the $20 discount when ordering online. Windows and Mac compatible.<br />
Editor&#8217;s Musings:</p>
<p>Hello again for another month! As you can see, we&#8217;re going through some changes here &#8230; I like to think they&#8217;re a giant leap forward. From now on, I&#8217;m going to basically just include some info here about what the issue contains and this Musing along with the raffle winners. Beyond that, you can pick up the issue online! That&#8217;ll mean I can make it look the way I want it to without having to worry about all the different email programs out there mucking it up. <img src='http://s1.wp.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' />  Yeah. It only took 13 years. <img src='http://s1.wp.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' />  I hope you enjoy. And if you have any suggestions, I&#8217;d love to hear them! And I hope, since you&#8217;re looking at the issue on the website now, that you&#8217;ll take the time to have a look around there, too. You never know what helpful information you&#8217;ll find! <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  </p>
<p>I also have a question to put to you all. As it turns out, Ed Teja, the book/services/ reviewer here who has been doing such an excellent job for me for so long &#8211; will be doing some traveling. He&#8217;ll be unable to continue to do reviews for The Muse&#8217;s News and I can say that I will definitely miss him a LOT. (But I know you&#8217;re doing what you want to do, Ed &#8211; and that&#8217;s great! Go for it!)</p>
<p>That does leave an opening though &#8211; and I&#8217;d love it if someone who is a regular subscriber and knows this newsletter and cares about the songwriting industry and the people in it, would take up the mantle of reviewer. Unfortunately, it&#8217;s not really a paying gig &#8230; but you *do* get to keep all the review copies that get sent your way, after you&#8217;re finished reviewing them. And I do reimburse you for any shipping costs involved in getting raffle winners their copies (typically, you&#8217;re sent two &#8211; one for review, one to send out).</p>
<p>If you&#8217;ve been reading the newsletter and the reviews, you&#8217;ll have a good idea of how they&#8217;re done &#8211; the length, what&#8217;s typically covered in them, etc. I try to have all contributions by the 20th of each month. If this sounds like something you&#8217;d like to do, please do let me know! I&#8217;d love to hear from you so that we can talk about it.</p>
<p>Lots of interesting information in this issue, and a great guest article by Sally Morgan of &#8220;Sing Like You Speak&#8221; that I think you&#8217;ll all find inspirational.</p>
<p>In the meantime, here are the raffle winners for this month:</p>
<p>    * Dale Matthies from Goderich, ON Canada, has won a beautiful (and highly useful!) notebook from The Jotted Line.</p>
<p>    * Meg Tennant from Waterloo, ON Canada has won a copy of&#8221;100 Miles To A Record Deal&#8221; by author and publisher Bronson Herrmuth.</p>
<p>    * Michael Blache from Mandeville, LA has won a copy of &#8220;The Rise and Fall of EMI&#8221; reviewed in a previous issue.</p>
<p>    * Cliff Keller, from Cardiff, California, has won a copy of Virtual Studio Systems&#8217; Lyricist software.</p>
<p>    * Kimberly Hales Kime, from Climax, NC, has won a free 3 month membership to SongU, an Internet-based learning environment providing online coaching, co-writing and pitching opportunities, in addition to over 70 multi-level courses developed by award-winning songwriters.</p>
<p>    * Shane L. Whelan, from Riverton, UT has won a downloadable version of Rhyme Genie, a dynamic rhyming dictionary featuring over 300,000 entries and 30 different rhyme types.</p>
<p>I know I say this a lot &#8211; but it&#8217;s really true. <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  If you&#8217;re interested in one of the raffle prizes listed at the top of http://www.musesmuse.com/musenews.html &#8211; or in the books, software or services reviewed in these issues, please write to me with your first and second choice, and your mailing address so I know where to send the prize. <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  They could really be yours! And I&#8217;m happy to send them to good homes.</p>
<p>For the products reviewed, I may or may not have another copy to raffle &#8211; or it might have already been given out &#8211; but it&#8217;s always worth a try! The quicker you write to me about a product that was just recently reviewed, the better your chances are!</p>
<p>Happy July, everyone! Enjoy the newsletter!</p>
<p>All the best,</p>
<p>&#8211;Jodi<br />
Return to the Top<br />
Contact Info &amp; Credits</p>
<p>Jodi Krangle, Editor: editor@musesmuse.com</p>
<p>The Muse&#8217;s News is a free monthly newsletter for and about songwriters. Subscribers are welcome to recirculate or reprint The Muse&#8217;s News for nonprofit use as long as the appropriate credit is given and the ENTIRE text of the newsletter is included (including credits and information at the end of each issue). Others should contact me at editor@musesmuse.com. All articles copyrighted by their authors.</p>
<p>Back issues and other information will be available here.</p>
<p>The Muse&#8217;s News is part of The Muse&#8217;s Muse, a web resource for songwriters.</p>
<p>Back issues of the newsletter can be read here or in an archive at the National Library of Canada ecollection.<br />
Return to the Top</p>
<p>Click here and go to the middle of the page to change your subscription &#8211; or click the links below.</p>
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		<title>Gant Mizick Music Publishing (ASCAP)</title>
		<link>http://gantmizick.wordpress.com/2010/07/10/gant-mizick-music-publishing-ascap/</link>
		<comments>http://gantmizick.wordpress.com/2010/07/10/gant-mizick-music-publishing-ascap/#comments</comments>
		<pubDate>Sat, 10 Jul 2010 15:54:39 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Gant Mizick Music Publishing]]></category>

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		<title>Home Recording Boot Camp</title>
		<link>http://gantmizick.wordpress.com/2010/07/10/home-recording-boot-camp/</link>
		<comments>http://gantmizick.wordpress.com/2010/07/10/home-recording-boot-camp/#comments</comments>
		<pubDate>Sat, 10 Jul 2010 15:47:49 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Home Recording Boot Camp Drum Recording Master Class in Washington DC Area July 16 Ronan will be teaching a drum recording master class / clinic at Chuck Levin&#8217;s Washington Music Center in Wheaton, Maryland Friday, July 16, 2010 from 6:00—8:00pm There will be drawings and giveaways! Tickets are $20 purchased in Advance. Tickets and info [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=29&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Home Recording Boot Camp<br />
Drum Recording Master Class in Washington DC Area July 16<br />
Ronan will be teaching a drum recording master class / clinic at Chuck Levin&#8217;s Washington Music Center in Wheaton, Maryland Friday, July 16, 2010  from 6:00—8:00pm There will be drawings and giveaways! Tickets are $20 purchased in Advance. Tickets and info here.</p>
<p>Short Session Consulting by phone, Skype and IM.<br />
Many of our clients have specific problems that need only short consulting sessions to solve. We have introduced small increment consulting with sessions by phone or online as short as 15 minutes.  Get advice about all aspects of professional and home recording. HRBC short term consulting.</p>
<p>Recording Boot Camp in Los Angeles August 23-28<br />
Now accepting applications for our next Recording Boot Camp™. Learn more about the Boot Camp here, and contact us if you are interested in attending.</p>
<p>Italian Villa Boot Camp<br />
It looks like we are sold out for HRBC in the Italian Villa September 13-18. If you would like to be put on the stand by list in case of cancelation, let us know.<br />
You are receiving this because you are a client or possibly met us at a conference or event. If you do not wish to receive the occasional email we will gladly unsubscribe you.</p>
<p>Unsubscribe sdcinternetics@msn.com from this list | Forward to a friend | Update your profile<br />
Our mailing address is:<br />
Home Recording Boot Camp<br />
4712 Admiralty Way<br />
#536<br />
Marina del Rey, CA 90292</p>
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		<title>ASCAP Daily Briefing</title>
		<link>http://gantmizick.wordpress.com/2010/06/03/ascap-daily-briefing-5/</link>
		<comments>http://gantmizick.wordpress.com/2010/06/03/ascap-daily-briefing-5/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 13:16:58 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<description><![CDATA[Instant Star: How Justin Got So Big By Susan Krashinsky &#8212; The rapid spread of &#8216;Bieber Fever&#8217; is truly remarkable, but it&#8217;s no natural occurrence. This global infection is the product of a clever marketing campaign designed to harness the Internet&#8217;s power. &#8220;Glee&#8221; And The Stones Driving Digital Music Sales By Mike Sachoff &#8212; Coming [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=27&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Instant Star: How Justin Got So Big<br />
By Susan Krashinsky &#8212; The rapid spread of &#8216;Bieber Fever&#8217; is truly remarkable, but it&#8217;s no natural occurrence. This global infection is the product of a clever marketing campaign designed to harness the Internet&#8217;s power.</p>
<p>&#8220;Glee&#8221; And The Stones Driving Digital Music Sales<br />
By Mike Sachoff &#8212; Coming on the heels of its mid-season April premiere, the music themed-TV show &#8220;Glee&#8221; saw digital downloads from its four compilations jump from 51,000 to 359,000, according to new data from Nielsen. The program&#8217;s latest &#8220;Showstoppers&#8221; album topped the Billboard charts this week as digital sales of &#8220;Glee&#8221; songs surpassed 500,000. Songs from the show posted 4.1 million track sales in 2009 and 3.2 million so far in 2010.</p>
<p>The Half-Life Of A YouTube Video Is 6 Days<br />
By Jay Yarow and Kamelia Angelova &#8212; A video on YouTube gets 50% of its views in the first 6 days it is on the site, according to data from analytics firm TubeMogul. After 20 days, a YouTube video has had 75% of its total views. That&#8217;s a really short life span for YouTube videos, and it&#8217;s probably getting shorter.</p>
<p>Radio Rebound in 2010<br />
By Erik Sass &#8212; Better-than-expected first-quarter ad revenues have prompted BIA/Kelsey to revise its forecast for radio, giving a cheerier outlook for 2010. For the full year, BIA/Kelsey now expects radio revenues to increase 3.7% from $13.7 billion in 2009 to $14.2 billion in 2010. The new projection partly reflects significant growth in revenues from digital and mobile initiatives launched by radio broadcasters.</p>
<p>If You Liked This &#8230;<br />
By Lev Grossman &#8212; The trouble with recommendation engines is that they&#8217;re really hard to build. They look simple on the outside &#8211; if you liked X, you&#8217;ll love Y! &#8211; but they&#8217;re actually doing something fiendishly complex. &#8230; They&#8217;re trying to reverse-engineer the soul.</p>
<p>Bee.tv Recommendation Engine for TV and Film<br />
By Curt Hopkins &#8212; From shopping to music, the overload of information on the Web has been shaped and ordered by recommendation engines. There are even tools like the browser extension GetGlue that purport to sail the entire recommendations ocean. But one very important aspect of the online experience has been overshadowed: video. Milan- and Tel Aviv-based Bee.tv, currently in beta, has introduced a proprietary, cross-platform recommendation service to personalize television, film and video viewing. Bee.tv aspires to do for video what Pandora or Last.fm do for audio.</p>
<p>The Orchard Reaches 1.2 Billion Mobile Customers Across Asia<br />
(Press release) &#8212; Today, The Orchard, a global leader in music and video distribution and comprehensive digital strategy, announced that the company is now reaching more than 1.2 billion mobile customers across Asia through distribution partnerships with top mobile operators and licensors in China, Japan, Korea, India, and the Middle East</p>
<p>House Judiciary Chairman Seeks Cooperation From Google, Facebook in Privacy Inquiries<br />
By Joelle Tessler &#8212; The head of the House Judiciary Committee is asking Google Inc. and Facebook to cooperate with any government inquiries into privacy practices at both companies. Michigan Democrat John Conyers sent letters to Google and Facebook on Friday amid mounting concern in Congress that the two online companies are not adequately protecting personal privacy on the Internet.</p>
<p>The Action Class: Restraining Order Blocks Google From Destroying Wardriving Data<br />
By Chris Castle &#8212; Business Insider reports that not only was Google &#8220;wardriving&#8221; and hoovering up personal data in 30 countries in Europe-they were doing it in the US, too. And strangely enough, they were about to destroy the data before they got sued and hit with a restraining order faster than a code monkey can snarf a Ring Ding.</p>
<p>Silicon Valley Backs YouTube in Viacom Case<br />
By John Paczkowski &#8212; Google and YouTube have some powerful new allies in their pitched battle with Viacom: Yahoo, Facebook and eBay. Earlier this week, the three companies filed amicus briefs in support of Google and YouTube, which are defending themselves against a $1 billion copyright lawsuit by Viacom. In the briefs, they urge the judge presiding over the case to dismiss Viacom&#8217;s suit, claiming to do otherwise is to violate protections given Google under the Digital Millennium Copyright Act. [Now let me see, YouTube reformats the videos uploaded to its site, stores them on its systems for on demand viewing, sells advertising against them, makes them available to anyone who wants them to generate advertising revenue for their own sites, does not get licenses and thinks it's swimming in a "safe harbor?"]</p>
<p>Need a Program Guide for the Real-Time Web? Try Live Matrix<br />
By Sarah Perez &#8212; The web is no longer static pages of text and still images. It&#8217;s alive with tweets, &#8220;tweetups,&#8221; live video conferences, uStreams, live-blogged product launches, webinars, live auctions, virtual world meetups and events, time-limited sales and contests, live audio and video podcast recordings, live chats and more. And it&#8217;s all happening in real-time. &#8230; Live Matrix is your program guide to the real-time web, allowing you to search, save and create reminders for all the live web events you want to be a part of.</p>
<p>Ray Charles&#8217; Copyrights a Lucrative Business<br />
By Ed Christman &#8212; While Ray Charles has a substantial songwriting catalog post 1961, &#8220;what is interesting is he didn&#8217;t like to write,&#8221; says Tony Gumina, president of the Ray Charles Marketing Group. &#8220;He wrote songs when he was on Atlantic because he didn&#8217;t like what (Atlantic principals) Ahmet (Ertegun) and Jerry (Wexler) were giving him (to record). So his most prolific writing period was between 1948 and 1960. &#8220;As soon as he became big enough to record the biggest songs, he started recording the American songbook Rogers and Hart, Rodgers and Hammerstein, the Gershwins and Irving Berlin.&#8221; [Not to mention Felice and Boudleaux Bryant, Hank Williams, Cindy Walker, Floyd Tillman, Don Gibson, Cowboy Jack Clement and a number of other country songwriting legends who powered two of Ray's greatest albums, "Modern Sounds in Country and Western Music" - Volumes one and two.- DK]</p>
<p>Robin Williams as the American Flag</p>
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		<title>ASCAP Daily Briefing</title>
		<link>http://gantmizick.wordpress.com/2010/03/04/ascap-daily-briefing-4/</link>
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		<pubDate>Thu, 04 Mar 2010 15:49:39 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<description><![CDATA[Reaching New Lows &#8211; Charity Album Piracy By James Gannon &#8212; Those who engage in music piracy will often list a familiar set of excuses to justify IP theft: the album is too expensive, the labels don&#8217;t make it available in digital format, artists don&#8217;t receive a big enough portion of album revenues,&#8230;. That&#8217;s why [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=24&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Reaching New Lows &#8211; Charity Album Piracy<br />
By James Gannon &#8212; Those who engage in music piracy will often list a familiar set of excuses to justify IP theft: the album is too expensive, the labels don&#8217;t make it available in digital format, artists don&#8217;t receive a big enough portion of album revenues,&#8230;. That&#8217;s why I was dismayed, but really not surprised, to see how quickly the Haiti benefit album &#8220;Hope for Haiti Now&#8221; cropped up on all the popular BitTorrent indexing sites&#8230; [Thanks to Neil Turkewitz for the link.] </p>
<p>The Music Industry&#8217;s Demographics Problem<br />
By Mark Mulligan &#8212; Apps, a fundamentally interactive experience, are tailor-made for the digital natives, whereas the static 99-cent music download remains wedded to a bygone era. Of course, the kids still like music, but the current digital-music product doesn&#8217;t compel them to part with their cash in the way an app does. </p>
<p>Watch Out, iPhone Devs: One-Man Android App Nets $13K Monthly<br />
By Jolie O&#8217;Dell &#8212; As Android&#8217;s growth continues to explode since the release of the Droid, only the most foolish of app shops are not planning to expand beyond Apple&#8217;s walled garden. </p>
<p>The Pirate Bay Torrents Remain Online Despite Court Order<br />
By Ernesto &#8212; Last October the Amsterdam Court ruled that three former Pirate Bay operators had to remove a list of &#8216;infringing&#8217; torrents from the website and block access to Dutch users. The Pirate Bay trio had to comply with the Court&#8217;s demands before today, but nothing has changed and it&#8217;s unlikely that the Dutch will be shut out of the site in the near future. </p>
<p>French Youth Making Piracy a &#8220;National Sport&#8221;<br />
By Jared Moya &#8212; Now boasts having one of the highest rates of software piracy in the European Union as the country&#8217;s youth challenge one another &#8220;to crack the most elaborate software programs&#8221; and rebel against the most repressive copyright legislation in the world. </p>
<p>New Zealand Proposes Internet Suspension, $15,000 Fine for File-Sharers </p>
<p>BBC Proposes Deep Cuts in Web Site<br />
By Eric Pfanner &#8212; The British Broadcasting Corp., yielded to critics of its aggressive expansion, proposing sweeping cuts in spending on its Web site and other digital operations. </p>
<p>The United States Steps Up<br />
By Chris Castle &#8212; Authors can feel a bit better&#8211;they have a great advocate in William Cavanaugh of the Justice Department representing the United States in opposing the Google Books &#8220;settlement&#8221;. This passage in the recent hearing sums it up&#8230; </p>
<p>20 Free Ways (Some of Questionable Legality) to Manage Video, Music, and Photos<br />
By Adam Pash and Rick Broida &#8211; These eight no-cost utilities and services can help you find, organize, and wrangle your media files&#8211;or enjoy some great video online. </p>
<p>Audio Dedupe Cleans Up Your Music Collection<br />
By Preston Gralla &#8212; Keeping an ear tuned to a fat collection of music files and an eye on your PC&#8217;s ever-diminishing hard drive space? Then give Audio Dedupe ($30, feature-limited free demo) a try. It uses a sophisticated set of tools to find duplicate music files, even if they&#8217;re in different file formats. </p>
<p>i-Tab Digital Tablature Reader<br />
By Jimin Brelsford &#8212; The i-tab will have you playing pop songs in no time, its up to you whether or not you look like a putz while doing so&#8230;. Probably the most newsworthy part of this unit is how it represents a real push for so-called &#8220;legal&#8221; tabs. </p>
<p>Music Software Popularity Index &#8211; 2009 Q4<br />
PRWeb &#8212; Digital Music Doctor announces the results of the Music Software Internet Popularity Index for Fourth Quarter 2009. </p>
<p>Looking Back at Oscar&#8217;s Biggest Goof<br />
By Gregg Kilday &#8212; The 61st Academy Awards, held March 29, 1989, at the Shrine, stands as the great object lesson&#8230;. Oscarologists still shake their heads over the infamous opening production number in which Merv Griffin sang &#8220;I&#8217;ve Got a Lovely Bunch of Coconuts!&#8221; amid an onstage re-creation of the Cocoanut Grove nightclub before turning the stage over to a high-pitched Snow White, who boogalooed with Rob Lowe to the tune of &#8220;Proud Mary.&#8221; [Producer? Allan Carr.] </p>
<p>[How to make your website sing]<br />
Put Your Web Site in the CodeOrgan<br />
By Ben Johnson &#8212; The CodeOrgan analyses the *body* content of any web page and translates that content into music. The CodeOrgan uses a complex algorithm to define the key, synth style and drum pattern most appropriate to the page content. [This is really fun. You've got to try it.] </p>
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		<title>ASCAP Briefing</title>
		<link>http://gantmizick.wordpress.com/2010/02/15/ascap-briefing/</link>
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		<pubDate>Mon, 15 Feb 2010 16:33:39 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<description><![CDATA[Today&#8217;s &#8216;iGeneration&#8217; Has No Off Switch By Sharon Jayson &#8212; Today&#8217;s kids don&#8217;t remember a time without technology and the constant connectivity to the world that these technologies bring. One expert has dubbed this generation the &#8220;iGeneration,&#8221; and it includes today&#8217;s teens and middle-schoolers. Distinct iGeneration traits include early introduction to technology and a desire [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=22&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Today&#8217;s &#8216;iGeneration&#8217; Has No Off Switch<br />
By Sharon Jayson &#8212; Today&#8217;s kids don&#8217;t remember a time without technology and the constant connectivity to the world that these technologies bring. One expert has dubbed this generation the &#8220;iGeneration,&#8221; and it includes today&#8217;s teens and middle-schoolers. Distinct iGeneration traits include early introduction to technology and a desire for immediacy. </p>
<p>Kids on The Web: Are They Satisfied With Virtual Worlds And Games?<br />
By Richard Macmanus &#8212; For kids under 12 years of age, entertainment websites and virtual worlds are all the rage. My 8-year old daughter plays ToonTown a lot. Club Penguin and Moshi Monsters are also popular in this demographic. But are these types of sites fulfilling the potential and talent our kids have with technology? </p>
<p>Some Ditch Social Networks to Reclaim Time, Privacy<br />
By Marco R. della Cava &#8212; As the social networking train gathers momentum, some riders are getting off. Laura LeNoir is done. &#8220;I feel better, I feel lighter, I got my privacy back,&#8221; says LeNoir, 42, an office manager at an educational software company in Birmingham, Ala., who logged off a few weeks ago. &#8220;People say, &#8216;You&#8217;ll be back.&#8217; But I read more, walk the dogs more. I&#8217;ll be fine.&#8221; </p>
<p>The Key To Making Free Music Services Work<br />
By Mark Mulligan &#8212; On-demand, access-based services will be the foundation stone of the 21st-century music business. Added to that, the majority of consumers simply have no appetite for paying for digital music, certainly not on a subscription basis. Free and subsidized services are quite simply part of the future. But, and it&#8217;s a big &#8220;but,&#8221; these services and their associated business models still pose many as yet unanswered questions. </p>
<p>Van Natta Resigning as MySpace CEO<br />
By Ryan Nakashima &#8211; Owen Van Natta is stepping down as CEO of struggling social networking site MySpace, effective immediately, after less than a year on the job. The former chief revenue officer at MySpace rival Facebook will be replaced by Mike Jones and Jason Hirschhorn, who were promoted to be co-presidents. </p>
<p>iPod Gets the Beatles Music &#8230;Through an Internet Radio Station App<br />
By Amy-Mae Elliott &#8212; While the world waits for The Beatles back catalogue to go officially digital, a Beatles-themed internet radio station ( &#8220;Beatles-A-Rama!!!&#8221;) has launched an iPhone app that will see all tunes John, Paul, Ringo and George streamed to your handset. </p>
<p>With Buzz, Google Plunges Into Social Networking<br />
By Miguel Helft and Brad Stone &#8212; The new service, called Google Buzz, allows Gmail users to share updates, photos and videos as on Facebook and other social networking sites. </p>
<p>Google Buzz Criticized for Disclosing Gmail Contacts<br />
By Robert Mcmillan &#8212; One day after its launch, privacy concerns have been raised about Google&#8217;s new Gmail-based social-networking tool, Buzz. At issue is a feature that compiles a list of the Gmail contacts who users most frequently e-mail or chat with. Buzz automatically starts following these people and makes the list public, meaning strangers can see who Buzz users have been in contact with. </p>
<p>Shazam Connects with Pandora, Last.fm Apps<br />
By Jason Ankeny Mobile music discovery provider Shazam announced it will bolster its Shazam Encore and (Shazam)RED applications for Apple&#8217;s iPhone and iPod touch with the addition of new features enabling users to connect to personalized radio services Pandora and Last.fm to create their own Internet stations based on tagged music. </p>
<p>Google Subsidizing Ultra-Fast Broadband Test<br />
By Stephen Shankland &#8212; Google, never satisfied with the pace of change, plans a test that will provide 50,000 to 500,000 people with fiber-optic broadband Internet access with a network speed of a gigabit per second. </p>
<p>Is Google a Wolf in Sheep&#8217;s Clothing to ISPs?<br />
By Marguerite Reardon &#8212; Google says its plan to build new fiber networks will promote innovation in broadband technology, but its moves could be seen as a threat to existing broadband operators. </p>
<p>Google Shuts Down Music Blogs Without Warning<br />
By Sean Michaels &#8212; In what critics are calling &#8220;musicblogocide 2010&#8243;, Google has deleted at least six popular music blogs that it claims violated copyright law. These sites, hosted by Google&#8217;s Blogger and Blogspot services, received notices only after their sites &#8211; and years of archives &#8211; were wiped from the internet. </p>
<p>New Russian Botnet Tries to Kill Rival<br />
By Robert McMillan &#8212; An upstart Trojan horse program has decided to take on its much-larger rival by stealing data and then removing the malicious program from infected computers. Security researchers say that the relatively unknown Spy Eye toolkit added this functionality just a few days ago in a bid to displace its larger rival, known as Zeus. </p>
<p>Cutting-Edge Crooks Keen on the Cloud<br />
By Toby Wolpe &#8212; Cloud computing has been enthusiastically taken up by criminals for a variety of activities, a security expert says. What better endorsement for the cloud could there be? </p>
<p>Korean iPhone Stylus: It&#8217;s Made of Meat<br />
By Charlie Sorrel &#8212; Korean sausage maker is experiencing a sales boom due to cold winter weather. People are buying CJ Corporation&#8217;s snack sausages to use as styluses for their iPhones. </p>
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		<title>ASCAP Daily Briefing</title>
		<link>http://gantmizick.wordpress.com/2010/02/05/ascap-daily-briefing-3/</link>
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		<pubDate>Fri, 05 Feb 2010 18:52:35 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<description><![CDATA[Complementary Goods and Debates About E-Book/Music/Video Pricing By Thomas Sydnor&#8230; Disputes between creative industries and technologists who create new means to access creative works tend to be notoriously complex because creators of new content and creators of new content-access technologies are producers of complementary goods. Producers of complementary goods do not want to destroy each [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=18&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Complementary Goods and Debates About E-Book/Music/Video Pricing<br />
By Thomas Sydnor&#8230; Disputes between creative industries and technologists who create new means to access creative works tend to be notoriously complex because creators of new content and creators of new content-access technologies are producers of complementary goods. Producers of complementary goods do not want to destroy each other, but they would love to commoditize each other.</p>
<p>VIDEO: Clay Shirky on Information Overload Versus Filter Failure<br />
This Clay Shirky talk from Web 2.0 Expo NY (&#8220;It&#8217;s Not Information Overload. It&#8217;s Filter Failure&#8221;) challenges the idea that we&#8217;ve got information overload problems (we&#8217;ve had more books than any human could read for hundreds of years), what we have is a series of filter failures, as our systems for managing information abundance are swamped by the growth of information.</p>
<p>&#8216;Interactive&#8217; Grammys Reach Most Viewers in 6 Years<br />
By Eliot Van Buskirk &#8212; The music industry is flailing and the mainstream running dry, according conventional wisdom, but this year&#8217;s Grammy Awards &#8211; arguably most mainstream event in the world &#8211; was a surprise hit. Over 56 million viewers tuned in this year, which represents 35 percent more than last year and the broadcast&#8217;s highest Neilsen rating since &#8217;04 (the year of Outkast).</p>
<p>Microgen Named as First Technology Company to Join Digital Data Exchange Board<br />
(Marketwire) &#8212; Microgen Aptitude Solutions Ltd (Microgen) today announced that it has been accepted as a Charter Member of the Digital Data Exchange (DDEX), a standards organization that is working to improve information sharing efficiency for the digital music industry.</p>
<p>AUDIO: Catchy Tune Not Enough To Make Money In Music<br />
By Audie Cornish (NPR) &#8212; The band KISS has come a long way from selling t-shirts and albums. Now, when you go to one of their concerts, you can leave with a recording of the show on a thumb drive. This kind of marketing has become a necessity, not an option, for a lot of acts.</p>
<p>[Great to have Nancy Prager blogging again.]<br />
The Importance of Taking a Long View, Even with Creative Commons Licenses<br />
By Nancy Prager &#8212; Creative Commons gives licensors (i.e. creators or copyright owners) the ability to license their works to the public in general, and not to a specific user. The licenses seem like a good idea because many people who upload content on the internet create as a hobby and are excited when they see their works being used on other sites. However, as with anything else in life, it is important to read the (not so) fine print.</p>
<p>Survey: Only 1% of Torrents Non-Infringing<br />
By Andrew Orlowski &#8212; 99 per cent of files accessed through a Torrent network are unlicensed copyright material, according to a survey by an American undergraduate&#8230;. The only surprise is that it&#8217;s so low &#8211; can 1 per cent of Torrent material really be non-infringing?</p>
<p>Hacking for Fun and Profit in China&#8217;s Underworld<br />
By David Barboza &#8212; A young hacker let a reporter into his world of trolling for information that may one day be worth money.</p>
<p>Is Free Wi-Fi Killing Toronto&#8217;s Indie Cafés?<br />
Columnist Leah McLaren lamented the loss of café culture due to &#8220;MacBook-toting jerks&#8221; who take up tables and siphon away the free Internet at coffee shops. The phenomenon has been unfolding for years, but Wi-Fi has only recently been considered a make-or-break element of a coffee shop, much to the dismay of café owners who see their hangout turn into a study hall.</p>
<p>Abolish &#8216;Cloud Computing!&#8217;<br />
By Lee Gomes &#8212; Not the idea, just the phrase.</p>
<p>PBS Documentary Questions Tech and Our Future<br />
By Larry Magid &#8212; Like Douglas Rushkoff, I&#8217;ve been an enthusiastic supporter of digital technology for more than 20 years and, also like Rushkoff, I&#8217;ve had some second thoughts as to whether&#8211;at least for some people&#8211;immersion in technology is doing more harm than good.</p>
<p>5 Ways Techno-Gadgetry Is Bringing Out the Worst in Humanity<br />
By Scott Thill &#8212; &#8220;It&#8217;s not technology we have to worry about, it&#8217;s the humans.&#8221; &#8211; Arthur and Marilouise Kroker, editors of the academic technology and culture journal CTheory.</p>
<p>[So misguided. So blatantly dismissive of creator's rights.]<br />
Anti-RIAA Site Folds<br />
By David Kravets &#8212; Provocative website p2pnet.net, the online voice of one of the world&#8217;s most blistering and perpetual attacks on the Recording Industry Association of America, is shuttering amid financial doldrums. It&#8217;s been vocal (and viciously anti creator) for nine years.</p>
<p>The #1 Reason Your Music Promotion Fails<br />
CDbaby &#8212; With all the hard work the indie music community puts into promotion and marketing of music, it&#8217;s amazing how often key information is missing from the message.</p>
<p>[Oh, that's just great ... Now the refrigerator is going to be spreading rumors about me to the stove.]<br />
Social Networks for Things<br />
By Richard Macmanus &#8212; At the recent DLD Conference (Digital &#8211; Life &#8211; Design) in Munich, Germany, Esther Dyson moderated a panel on the Internet of Things. The subject of the discussion was giving identity to things, just as people have an identity. In essence, creating social networks for things.</p>
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		<title>ASCAP Daily Briefing</title>
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		<pubDate>Fri, 29 Jan 2010 04:44:24 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<description><![CDATA[The Web&#8217;s Return To Chaos By Quentin Hardy &#8212; Is tech taking us to a world more medieval than modern? &#8230; A commentary on Joseph Menn&#8217;s Fatal System Error, a well-reported book on some of the biggest (known) cybercrimes in the past decade. Euro MROs Sign On With Digital Data Exchange (DDEX) By Ed Christman [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=16&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><!-- ///////////////////////////////////////////////  START CONTENT  /////////////////////////////////////////////// --> <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506171&amp;m=918231&amp;u=ASCAP&amp;s=http://www.forbes.com/2010/01/25/google-hackers-menn-technology-business-intelligence-cybercrime.html?boxes=techchanneltopstories"><strong>The  Web&#8217;s Return To Chaos</strong></a><br />
By Quentin Hardy &#8212; Is tech taking us to a world more medieval than  modern? &#8230; A commentary on Joseph Menn&#8217;s <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506172&amp;m=918231&amp;u=ASCAP&amp;s=http://www.amazon.com/Fatal-System-Error-Bringing-Internet/dp/1586487485">Fatal  System Error</a>, a well-reported book on some of the biggest (known)  cybercrimes in the past decade.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506173&amp;m=918231&amp;u=ASCAP&amp;s=http://www.billboard.biz/bbbiz/content_display/industry/e3i21640ce071c3e4ce95151231bd915e43"><strong>Euro  MROs Sign On With Digital Data Exchange (DDEX)</strong></a><br />
By Ed Christman &#8212; Five European music rights organizations (MROs) have  signed on to using the <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506174&amp;m=918231&amp;u=ASCAP&amp;s=http://www.ddex.net/">Digital  Data Exchange (DDEX)</a> standards for receiving sales information  reported by digital service providers. DDEX was formed in 2006 by major  record labels, online music distributors and music rights societies to  create standards to facilitate the exchange of metadata.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506175&amp;m=918231&amp;u=ASCAP&amp;s=http://bigpondnews.com/articles/Entertainment/2010/01/25/MySpace_to_pay_lost_royalties_back_421188.html"><strong>MySpace  to Pay &#8216;Lost&#8217; Royalties Back</strong></a><br />
Big Pond News &#8212; MySpace, which has enabled many artists to launch their  careers, is now helping to pay them back millions in &#8216;lost&#8217; royalties  for songs and performances. MySpace CEO Owen van Natta said on Sunday  the company had signed a groundbreaking deal with performance rights  group <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506176&amp;m=918231&amp;u=ASCAP&amp;s=http://www.soundexchange.com/">SoundExchange</a> to track down about 25,000 major, independent and unsigned artists owed  more than $US14 million in unpaid royalties.</p>
<p><strong><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506177&amp;m=918231&amp;u=ASCAP&amp;s=http://www.idsnews.com/news/story.aspx?id=73122">What  Does Indie Even Mean?</a></strong><br />
By Yahya Chaudhry &#8212; Selling 124,000 copies, &#8220;Contra&#8221; is the  best-selling album in the country. Released by XL, an independent record  label, &#8220;Contra&#8221; is only the 12th independently distributed album to  reach the coveted top spot on the Billboard 200 since such data has been  recorded. Why is that a big deal, and what does being &#8220;indie&#8221; mean?</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506178&amp;m=918231&amp;u=ASCAP&amp;s=http://latimesblogs.latimes.com/technology/2010/01/thesixtyone-myspace.html"><strong>TheSixtyOne  Redesign Positions it as the Anti-MySpace Music Site</strong></a><br />
By Mark Milian &#8212; Indie music portal <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506179&amp;m=918231&amp;u=ASCAP&amp;s=http://www.thesixtyone.com/">TheSixtyOne</a> launched a drastically redesigned website over the weekend. Loyal users  were less than enthused, but something tells us they&#8217;ll get over it.  Just take a look.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506180&amp;m=918231&amp;u=ASCAP&amp;s=http://www.readwriteweb.com/archives/4_tech_trends_you_must_understand_to_be_an_effecti.php"><strong>4  Tech Trends You Must Understand to be an Effective Marketer</strong></a><br />
Written by Elyssa Pallai &#8212; Recent technology trends enable a brave new  world of marketing. Ignore them at your peril.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506181&amp;m=918231&amp;u=ASCAP&amp;s=http://www.techdigest.tv/2010/01/vodafone_claims.html"><strong>Vodafone  Claims Europe&#8217;s Largest Base of Digital Music Subscribers</strong></a><br />
By shinychris &#8212; According to Vodafone nearly 450,000 of its customers  have signed up for music subscription services since it signed digital  rights management free MP3 music deals with all major labels in 2009.  Two million tracks are currently available through the DRM-free library  with Vodafone claiming it will grow to 6 million in 2010.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506182&amp;m=918231&amp;u=ASCAP&amp;s=http://www.theregister.co.uk/2010/01/26/app_store/"><strong>Apple:  iPhone App and iTunes Stores Don&#8217;t Make Money</strong></a><br />
By Rik Myslewski &#8212; Apple&#8217;s App Store and iTunes Store aren&#8217;t  moneymakers. They&#8217;re lures for prospective handset customers.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506183&amp;m=918231&amp;u=ASCAP&amp;s=http://news.cnet.com/8301-30686_3-10440857-266.html?tag=newsEditorsPicksArea.0"><strong>Analysts  Predict Bold Growth for Google Android</strong></a><br />
By Marguerite Reardon &#8212; Google&#8217;s Android is expected to take the  smartphone market by storm in the next few years, growing faster than  all its competitors, according to an IDC report published Monday.</p>
<p><strong><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506184&amp;m=918231&amp;u=ASCAP&amp;s=http://www.nytimes.com/external/readwriteweb/2010/01/25/25readwriteweb-where-do-we-find-the-time-social-networking-12505.html">Where  Do We Find the Time? Social Networking Use Up 82%</a></strong><br />
By Mike Melanson &#8212; <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506185&amp;m=918231&amp;u=ASCAP&amp;s=http://blog.nielsen.com/nielsenwire/global/led-by-facebook-twitter-global-time-spent-on-social-media-sites-up-82-year-over-year/">According  to Nielsen</a>, we&#8217;re spending 82% more time on social networking sites  than we did just a year earlier. So much so, actually, that it&#8217;s nearly  a full-time job.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506186&amp;m=918231&amp;u=ASCAP&amp;s=http://latimesblogs.latimes.com/technology/2010/01/moodagent-asks-are-you-in-the-mood-for-some-advertising.html"><strong>Moodagent  Asks, Are You in the Mood for Some Advertising?</strong></a><br />
By Jon Healey &#8212; <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506187&amp;m=918231&amp;u=ASCAP&amp;s=http://www.moodagent.com/">Moodagent</a>,  Syntonetic, mobile advertising, iPhone apps, music playlists If you  were an advertiser, how might you change your pitches to match a  consumer&#8217;s mood? That&#8217;s the question that Syntonetic plans to pose as it  starts plugging targeted advertisements into its Moodagent iPhone app.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506188&amp;m=918231&amp;u=ASCAP&amp;s=http://news.cnet.com/8301-13506_3-10440330-17.html"><strong>Sorry,  Facebook Friends: Our Brains Can&#8217;t Keep up</strong></a><br />
By Don Reisinger &#8212; Robin Dunbar, a professor of evolutionary  anthropology at Oxford University, developed a theory in the 1990s  dubbed Dunbar&#8217;s Number. The theory contends that the human brain is only  capable of managing relationships&#8211;staying in contact at least once per  year and knowing how friends relate to others&#8211;with about 150 people.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506189&amp;m=918231&amp;u=ASCAP&amp;s=http://www.marketwire.com/press-release/Quincy-Jones-John-Mayer-Bill-Withers-Lead-Speaker-Lineup-ASCAP-I-Create-Music-Expo-1106463.htm"><strong>Quincy  Jones, John Mayer and Bill  Withers Lead Speaker Lineup for ASCAP &#8220;I  Create Music&#8221; Expo</strong></a><br />
(Marketwire) &#8211; Music  legends Quincy Jones and Bill Withers and music  superstar John Mayer will lead  the list of speakers at the 5th annual <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506190&amp;m=918231&amp;u=ASCAP&amp;s=http://www.ascap.com/eventsawards/events/expo/2010/panelists.aspx">ASCAP   &#8220;I Create Music&#8221; EXPO</a>, it was announced by ASCAP. The three-day   EXPO will take place at the Renaissance Hollywood Hotel, April 22-24,  2010 in Los Angeles, CA. <strong><em><span style="text-decoration:underline;">Deep discount pricing ends January   31st.</span></em></strong></p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506191&amp;m=918231&amp;u=ASCAP&amp;s=http://news.yahoo.com/s/ap/20100125/ap_en_mu/us_obit_wild"><strong>Pianist  Earl Wild Dies at 94</strong></a><br />
By Martin Steinberg &#8211; Earl Wild, the first pianist to give a solo  recital on American television, is dead at age 94. &#8230; Wild&#8217;s first  televised recital came in 1939, when NBC began transmitting its first  commercial live musical telecasts.</p>
<p><strong><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8506192&amp;m=918231&amp;u=ASCAP&amp;s=http://news.cnet.com/8301-17852_3-10441134-71.html">Is  the Digital Age Cutting Us Off From Aliens?</a></strong><br />
By Chris Matyszczyk &#8212; There is something so painfully wishful about  life out there being better than life down here. What if it isn&#8217;t?     <!--  ///////////////////////////////////// --> <!--  DO NOT EDIT BELOW THIS --> <!--  ///////////////////////////////////// --></p>
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		<title>Gant Mizick ASCAP Daily Briefing</title>
		<link>http://gantmizick.wordpress.com/2010/01/27/gant-mizick-ascap-daily-briefing-2/</link>
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		<pubDate>Wed, 27 Jan 2010 18:22:10 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://gantmizick.wordpress.com/?p=14</guid>
		<description><![CDATA[Democratic, But Dangerous Too: How the Web Changed Our World In two decades the world wide web has become the most powerful information tool since Gutenberg&#8217;s printing press, but also the most intrusive and threatening. Aleks Krotoski, presenter of a major new series on the history of the net, reports. Some Amazing Numbers Re: Growth [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=14&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493244&amp;m=917011&amp;u=ASCAP&amp;s=http://www.guardian.co.uk/technology/2010/jan/24/internet-revolution-changing-world"><strong>Democratic,  But Dangerous Too: How  the Web Changed Our World</strong></a><br />
In two decades the world wide web has become the most powerful  information tool since Gutenberg&#8217;s printing press, but also the most  intrusive and threatening. Aleks Krotoski, presenter of a major new  series on the history of the net, reports.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493245&amp;m=917011&amp;u=ASCAP&amp;s=http://blog.pff.org/archives/2010/01/some_amazing_numbers_re_growth_of_net_social_media.html"><strong>Some  Amazing Numbers Re: Growth of Net &amp; Social Media</strong></a></p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493246&amp;m=917011&amp;u=ASCAP&amp;s=http://news.cnet.com/8301-13577_3-10440209-36.html?tag=newsLeadStoriesArea.1"><strong>Social  Media Is Finally About the Media</strong></a><br />
By Caroline McCarthy &#8212; What does the maelstrom of hype around the  launch of Apple&#8217;s tablet device have in common with Google&#8217;s  announcement that select Sundance Film Festival titles will be available  for rent on YouTube, or Digg founder Kevin Rose&#8217;s comments to the  U.K.&#8217;s Telegraph newspaper that the social news site he founded has  &#8220;drastic&#8221; changes ahead? A lot, actually.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493247&amp;m=917011&amp;u=ASCAP&amp;s=http://www.digitalmusicnews.com/stories/012410monetize/view"><strong>If  You Could Just Monetize This, That Would Be Great</strong></a><br />
By Paul Resnikoff &#8212; Understandably, a major focus of Midem has been  monetization. That introduced a number of &#8216;conference cliches&#8217; and  platitudes, including tired jabs against major labels, consumers,  legislators, and entrepreneurs. But more constructively, Midem  integrated executives from other industries, many of whom are grappling  with similar challenges.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493248&amp;m=917011&amp;u=ASCAP&amp;s=http://www.readwriteweb.com/archives/open_thread_theres_no_such_thing_as_free_content.php#more"><strong>There&#8217;s  No Such Thing As Free Content</strong></a><br />
By Jolie O&#8217;Dell &#8212; Someone, somewhere ends up putting out money for  everything you do online, every piece of news you read, every web app  you use. It takes professionals and hardware across a gigantic industry  to make these things work.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493249&amp;m=917011&amp;u=ASCAP&amp;s=http://www.billboard.biz/bbbiz/content_display/industry/e3i84347827022cc79362616e2856749eac"><strong>Labels  Learn To Monetize Apps </strong></a><br />
By Andre Paine &#8212; Music-related apps can build a fan base for artists  and create revenue &#8211; and they are going to become even more ambitious.  That was the message from Ted Mico, EVP Digital, Interscope, Geffen,  A&amp;M at day two of the MidemNet digital music conference in Cannes.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493250&amp;m=917011&amp;u=ASCAP&amp;s=http://insidemusicmedia.blogspot.com/2010/01/tipping-point-for-radio.html"><strong>The  Tipping Point for Radio?</strong></a><br />
By Jerry Del Colliano &#8212; Monthly fees have failed miserably in the music  sector but Apple could pull it off with a cool new device that allows  consumers to read books, save the newspaper industry from itself, access  school textbooks, read PDFs, go online, use apps from Apple&#8217;s app  store, play video and movies at a whim, listen to Internet radio and  Pandora and on and on&#8230;. But what appears to be left out is radio &#8212;  terrestrial radio. [Thanks to Tom Bocci for the link.]</p>
<p><strong><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493251&amp;m=917011&amp;u=ASCAP&amp;s=http://www.technicianonline.com/news/digital-piracy-on-the-rise-on-campus-1.2147810">Digital  Piracy on the Rise on Campus</a></strong><br />
By Arth Pandya &#8212; Record number of student copyright infringement  violations reported.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493252&amp;m=917011&amp;u=ASCAP&amp;s=http://www.nytimes.com/2010/01/25/technology/internet/25iht-music.html?ref=technology"><strong>Swedish  Music Fans Start to Steer Clear of Pirates</strong></a><br />
By Eric Pfanner &#8212; Sweden, long considered one of the world&#8217;s most  welcoming havens for digital piracy, is now showing signs of turning  back toward legal, licensed music, both online and in stores. Music  sales in Sweden rose 10.2 percent last year, according to the recording  companies&#8217; international trade group, even as they fell by nearly 10  percent worldwide, continuing a nearly decade-long downward spiral.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493253&amp;m=917011&amp;u=ASCAP&amp;s=http://news.yahoo.com/s/ap/20100120/ap_on_hi_te/us_tec_techbit_tetris_downloads"><strong>Tetris  Passes 100 Million Paid Mobile Downloads</strong></a><br />
By Barbara Ortutay &#8212; More than 25 years after its birth, <a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493254&amp;m=917011&amp;u=ASCAP&amp;s=http://www.tetris.com/">Tetris</a> is the best-selling mobile game of all time, having surpassed 100  million paid downloads on cell phones around the world.</p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493255&amp;m=917011&amp;u=ASCAP&amp;s=http://www.google.com/url?sa=X&amp;q=http://www.guardian.co.uk/music/2010/jan/25/music-stars-hope-haiti-telethon&amp;ct=ga&amp;cd=g8NOpgVgjn0&amp;usg=AFQjCNEySeJRCfo8cHUtYRW1ISlrtQfP7A"><strong>Music  Stars Raise £35m in Hope for Haiti Telethon</strong></a></p>
<p><a href="http://www.mmsend2.com/ls.cfm?r=180958070&amp;sid=8493256&amp;m=917011&amp;u=ASCAP&amp;s=http://news.yahoo.com/s/ap/20100122/ap_on_hi_te/us_space_station_internet"><strong>Astronauts  Finally Get Internet Access in Space</strong></a><br />
AP &#8212; &#8211; In a high tech first &#8211; really, really high &#8211; astronauts in space  finally have Internet access. Space station resident Timothy (TJ)  Creamer had been working with flight controllers to establish Internet  access from his orbital post ever since he moved in last month. On  Friday, his effort paid off. He posted the first live Twitter post truly  from space.      <!--  ///////////////////////////////////// --> <!--  DO NOT EDIT BELOW THIS --> <!--  ///////////////////////////////////// --></p>
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		<title>15th Annual USA Songwriting Competition</title>
		<link>http://gantmizick.wordpress.com/2010/01/27/15th-annual-usa-songwriting-competition/</link>
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		<pubDate>Wed, 27 Jan 2010 02:58:45 +0000</pubDate>
		<dc:creator>keristenemusicpublishing</dc:creator>
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		<description><![CDATA[15th Annual USA Songwriting Competition Having trouble viewing this email? View at this URL: http://www.songwriting.net/012610?&#038;t=95561 ***************************************************************** 1/26/10 SXSW, Bluebird Shows, Guitar Player Freebies, 2010 Competition Begins ***************************************************************** ** 15th Annual USA Songwriting Competition is now accepting entries! Winning songs will receive radio airplay in United States and Canada along with great prizes such as a [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=gantmizick.wordpress.com&amp;blog=11542768&amp;post=12&amp;subd=gantmizick&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h1>15th Annual USA Songwriting Competition</h1>
<p>Having trouble viewing this email? View at this URL:</p>
<p>http://www.songwriting.net/012610?&#038;t=95561</p>
<p>*****************************************************************</p>
<p>1/26/10<br />
SXSW,  Bluebird Shows, Guitar Player Freebies, 2010 Competition Begins<br />
*****************************************************************</p>
<p>**  15th Annual USA Songwriting Competition is now accepting entries!  Winning songs will receive radio airplay in United States and Canada  along with great prizes such as a Top Prize of over $50,000.</p>
<p>Sponsors  of the 15th Annual Competition are: Guitar Player Magazine, New Music  Weekly, Sony, Audio-Technica, Ibanez Guitars, D&#8217;Addario Strings, Mackie,  Presonus, Imageline Software, Acoustica, Sonoma Wireworks, Intellitouch  Tuners, SongFrame Software, Rockstar Texting, Acoustic Café Radio  Program, Livewire Contacts, AirplayAccess.com, Loggins Promotion,  Superdups.com, Sirius XM Radio, Sonicbids &amp; Broadjam.</p>
<p>EARLY ENTRY BONUS: First 1,000 Entries Will Each Receive FREE 3 issue  subscription to Guitar Player magazine, ($19.50 Value!) + free software  (see below) Hurry, While Stocks Last! Please obtain the entry form at:<br />
<a href="/entryform/">http://www.songwriting.net/entryform.html</a></p>
<p>Or enter online here with your MP3:<br />
<a href="https://online.songwriting.net">https://online.songwriting.net</a></p>
<p>Or via Sonicbids:<br />
<a href="http://www.sonicbids.com/usasong">http://www.sonicbids.com/usasong</a></p>
<p>Or via Broadjam:<br />
<a href="http://www.broadjam.com/contests/details/contest/index.php?contest_id=2032">http://www.broadjam.com/contests/details/contest/index.php?contest_id=2032</a></p>
<p>===[Sponsored in part by New Music  Weekly]======================<br />
NEW MUSIC WEEKLY covers the radio and  music industry within its<br />
weekly magazine, website, NMW-mail and fax  services. NMW, built<br />
by radio stations who &#8220;break&#8221; the hits first,  has become the<br />
standard for tracking radio airplay nationwide. For  information<br />
visit: <a href="http://www.newmusicweekly.com">www.newmusicweekly.com</a> or  call 310-325-9997</p>
<p>==================================================================</p>
<p>***  PAST WINNERS &amp; FINALISTS&#8217; UPDATES</p>
<p>*Kyler England (2009 USA  Songwriting Competition 1st Prize Winner), Gabriel Mann (2003 USA  Songwriting Competition Overall Grand Prize Winner) &amp; Adrianne  Gonzalez (1999 Overall Grand Prize Winner) formed a Pop group &#8220;The  Rescues&#8221;, were just signed to Universal Republic Records in Dec 2009.</p>
<p>*Aaron  Tap (1998 USA Songwriting Competition 1st prize winner in the  Rock/Alternative) plays guitar and sings backup vocals with  platinum-selling artist Matt Nathanson, toured with Matt in Australia  and played guitar and background vocals in his biggest hit &#8220;Come On Get  Higher&#8221;.</p>
<p>*The 2007 Grand Prize winning song &#8220;Where The Music  Takes You&#8221; written &amp; performed by Ari Gold aired on ABC TV&#8217;s  &#8220;Scrubs&#8221; on 12/16/09. The winning song hit Top 10 on the Billboard  Charts 6 months after winning the competition.</p>
<p>*Kate Voegele  (2005 USA Songwriting Competition, 1st Prize Winner, Pop) appeared on  &#8220;The Tonight Show&#8221; with Conan O&#8217;Brien performing her hit song &#8220;99  Times&#8221;, a Billboard Adult Top 40 Hit, peaking at #24. She hit Top 10 On  Billboard 200 Albums Chart on June 15, 2009. Her album &#8220;A Fine Mess&#8221; is  released on Interscope/MySpace records.</p>
<p>*Quinn Loggins (2004 USA  Songwriting Competition Honorable Mention Award Winner) wrote a song  &#8220;Trial of Lies&#8221; with Lisa McCallum and Katie Armiger. It&#8217;s been released  to radio along with a music video on CMT and GAC where Katie is the  artist of the month.</p>
<p>~Were you a past winner or finalist  of the USA Songwriting Competition or IAMA and have some interesting  news on yourself? If so, please e-mail us at:<br />
<a href="mailto:info@songwriting.net">info@songwriting.net</a></p>
<p>***  Top 10 USA Songwriting Competition Winners Of The Decade<br />
<a href="http://www.songwriting.net/blog/bid/25403/Top-10-USA-Songwriting-Winners-Of-The-Decade">Kate  Voegele, Ari Gold and Cathy Fink &amp; Marcy Marxer lead the way of the  Top 10 USA Songwriting Competition of the decade</a></p>
<p>==================================================================<br />
<a href="http://www.MyMusicSuccess.Com">MyMusicSuccess.Com</a> is the number one music marketing and promotion company. From press,  radio, specialist marketing in Japan, to Billboard chart hits and  beyond, whatever your genre, wherever you are, <a href="http://www.MyMusicSuccess.Com">MyMusicSuccess.Com</a> can get  great results for you.<br />
==================================================================<br />
**  UPCOMING SHOWCASES:</p>
<p>*SHOWCASE DURING SXSW</p>
<p>USA Songwriting  Competition will present a showcase during SXSW 2010 (South By South  West) in Austin, TX on Friday, March 19, 2010, 7pm to 9.30pm. South By  South West is the largest musician&#8217;s conference in the USA.<br />
Austin  Borders, 4477 S. Lamar, Austin, TX, Tel: (512) 891-8974<br />
~Artists/Songwriters  to appear:<br />
Kyler England (1st Prize, Country, 14th USA Songwriting  Competition)<br />
TBA<br />
TBA<br />
TBA<br />
TBA</p>
<p>~There are only 4 slots left for this showcase. If you are interested in  performing at this showcase, please e-mail us your website and other  information to: <a href="mailto:info@songwriting.net">info@songwriting.net</a><br />
*BLUEBIRD CAFE SHOWCASE</p>
<p>USA Songwriting Competition will present a  showcase at the world renowned &#8220;Bluebird Café&#8221; in Nashville<br />
Thursday,  May 6, 2010, 6pm to 8pm<br />
Bluebird Café, 4104 Hillsboro Pike,  Nashville, TN 37215-2700, Tel: (615) 383-1461 (alcohol &amp; food are  served, reservations are accepted).<br />
~Artists/Songwriters to appear:<br />
Jesse Terry (Honorable Mention, 14th USA Songwriting Competition)<br />
Anadara Arnold (Honorable Mention)<br />
Mandee Radford, Alathea  (Honorable Mention)<br />
Will Hopkins (Honorable Mention)<br />
Greg  Trafidlo (1st Prize &#8211; Novelty, 14th USA Songwriting Competition)<br />
Carla Cappa (1st Prize &#8211; Rock/Alt, 14th USA Songwriting Competition)<br />
TBA<br />
TBA</p>
<p>~There are only 2 slots left for this showcase. If you are interested in  performing at this showcase, please e-mail us your website and other  information to: <a href="mailto:info@songwriting.net">info@songwriting.net</a></p>
<p>===[Sponsored  in part by D'Addario]==============================<br />
From the  D&#8217;Addario-pioneered phosphor bronze acoustic strings<br />
to the  world-famous XL electric strings, D&#8217;Addario has your<br />
instruments  covered. Quality, consistency, and innovation make<br />
&#8220;The Player&#8217;s  Choice.&#8221; <a href="http://www.daddario.com/">http://www.daddario.com/</a><br />
==================================================================</p>
<p>**  COMPILATION CD [sponsored by WWW.SUPERDUPS.COM]<br />
&#8220;NEW MUSIC NOW Vol  7&#8243; &#8211; THE USA SONGWRITING COMPETITION COMPILATION CD sponsored by  SUPERDUPS.COM. USA Songwriting Competition&#8217;s CD Compilation. This CD is  now out and features winners such as Sarah Lonsert, Eric Coleville, Anne  Simoni &amp; more.</p>
<p>&#8220;New ACOUSTIC MUSIC Vol 5&#8243; &#8211; featuring  winners and runner-ups of the 5th Annual IAMA is out. Artists includes;  The Refugees, Larry Pattis, Katy Kinard, Wendy Colonna, Kate Lush, Wayne  Southards, Jeanette Williams Band, Victoria Vox, etc.</p>
<p>**  COOL MERCHANDISE<br />
You can now purchase our cool USA Songwriting  Competition T-shirts, Hats &amp; other stuff online:<br />
<a href="http://www.cafepress.com/usasong">http://www.cafepress.com/usasong</a></p>
<p>**  ACOUSTIC MUSIC PODCAST:<br />
<a href="http://www.inacoustic.com/blog/2009/11/podcast-1-of-international-acoustic-music-awards/">http://www.inacoustic.com/blog/2009/11/podcast-1-of-international-acoustic-music-awards/</a></p>
<p>==================================================================</p>
<p>Music  Books Plus is your best source for music &amp; audio books, videos,  CD-ROMs, DVDs, software &amp; sheet music. We carry over 12,000 titles  on Music Business, Songwriting, Arranging, Theory, Directories, Pro  Audio, Video, Live Sound, Recording, Lighting, MIDI, Synthesizers,  Guitar, Keyboards, Bass, Drums, Percussion, Violin, Brass, Woodwinds,  Harmonica, Voice, Biographies, Fake Books, Songbooks. Worldwide  shipping. Free Newsletter.<br />
Check out <a href="www.musicbooksplus.com">www.musicbooksplus.com</a></p>
<p>==================================================================</p>
<p>**  MUSIC CONFERENCES, FESTIVALS &amp; WORKSHOP PARTNERS</p>
<p>~MIDEM Music  Tradeshow – January 24-27, 2010, Cannes, FRANCE</p>
<p>~22nd  International Folk Alliance Conference:  February 17 &#8211; 21, 2010 Memphis,  TN</p>
<p>~Canadian Music Week: March 10-24, 2010    Toronto, Canada</p>
<p>~SXSW  (South By South West Music): March 17-21, 2010, Austin, TX, USA</p>
<p>~Winter  Music Conference: March 23 &#8211; 27, 2010, Miami Beach, FL, USA</p>
<p>~Musikmesse  Frankfurt: March 24 to 27, 2010, Frankfurt am Main, GERMANY</p>
<p>~I  Create Music ASCAP Expo 2010: April 22-24, 2010, Los Angeles, CA, USA.  Early Bird registration price for USA Songwriting Competition entrants  is just $260, or $235 if you are also a member of ASCAP.  To take  advantage of this special rate, select our organization name from the  Partner menu towards the end of the registration process.</p>
<p>http://www.ascap.com/expo</p>
<p>~MIAC  (Music Industries Association of Canada) 2010 Trade Show – May 16, 17,  2010 at the Direct Energy Centre, Exhibition Place, Toronto, Canada.</p>
<p>~NXNE  2010 &#8211; June 16 – 20 &#8211; Toronto, CANADA</p>
<p>~Baybeats &#8211; Aug 20 &#8211; 22,  2010, (South East Asia&#8217;s version of SXSW) Singapore, REP OF SINGAPORE</p>
<p>~Australian  Music Association Convention Melbourne &#8211; Sept 30 &amp; Oct 1, 2010</p>
<p>~WOMEX  &#8211; October 27 &#8211; 31, 2010, Copenhagen, Denmark</p>
<p>~AES San Francisco /  129th AES Convention, November 5-7, 2010</p>
<p>===[Sponsored  in part by Loggins Promotion]=================<br />
LOGGINS PROMOTION is  the leading radio promotion and marketing<br />
firm providing services to  all genres of music.  We operate at<br />
the highest level of efficiency  and integrity, so that you<br />
receive maximum promotion, exposure, and  attention. For further<br />
info: 888-325-2901 or email: <a href="mailto:promo@logginspromotion.com">promo@logginspromotion.com </a><br />
<a href="http://www.logginspromotion.com">www.logginspromotion.com</a><br />
==================================================================</p>
<p>***  IAMA Featured Artists Of the Month Spotlight</p>
<p>~John Landry [Canada]</p>
<p>~Jen  Ambrose</p>
<p>~Sturle Andersen [Norway]<br />
*For more details of  the featured artists, please visit:<br />
<a href="http://www.inacoustic.com/artists2.html">http://www.inacoustic.com/artists2.html</a></p>
<p>===[  REFER A MUSICIAN FRIEND TO US ]==============================<br />
Tell a  musician or songwriter to sign up for this FREE informative<br />
e-mail  newsletter of USA Songwriting Competition with chock full<br />
of  opportunities for the musician or songwriter, please e-mail<br />
them on  where to sign-up:<br />
<a href="http://www.songwriting.net/join">http://www.songwriting.net/join</a><br />
==================================================================</p>
<p>PRODUCTS  FOR MUSICIANS</p>
<p>*IK Multimedia StealthBoard &#8211; From the Winter NAMM  2010 show, StealthBoard is the first USB-MIDI floor controller for  guitar and bass players that gives you full control over your entire  rig. You may now control your software and/or hardware-based tone and  effects units, plus channel switching, all from just one unit on the  floor.</p>
<p>*IK Multimedia AmpliTube 3 &#8211; The long awaited release of  IK Multimedia&#8217;s AmpliTube 3 is here.</p>
<p>*GrooveMaker &#8211; the  revolutionary iPhone/iPod Touch app to create non-stop electronic, dance  and hip-hop tracks, in real-time. FREE for USA Songwriting Competition  Entrants</p>
<p>*Mackie Onyx 1640i<br />
<a href="http://www.songwriting.net/whatsnew">http://www.songwriting.net/whatsnew</a></p>
<p>===[  Sponsored in part by IBANEZ Guitars ]========================<br />
Ibanez  Acoustic Guitars&#8230; Diversity in Size, Sound, and Style. Ibanez has<br />
over  75 different acoustic guitar models in 12 very different body shapes to<br />
help  you FIND YOUR VOICE. <a href="http://www.ibanez.com/acoustics/">http://www.ibanez.com/acoustics/</a><br />
==================================================================</p>
<p>MUSIC  RESOURCESMUSIC RESOURCES<br />
*Songwriting Blog</p>
<p>http://www.songwriting.net/blog</p>
<p>*Follow  USA Songwriting Competition on Twitter:</p>
<p>http://www.twitter.com/usasong</p>
<p>*USA  Songwriting Competition&#8217;s YouTube page:</p>
<p>http://www.youtube.com/usasongcomp</p>
<p>*Follow  USA Songwriting Competition on MySpace:</p>
<p>http://www.myspace.com/usasongcomp</p>
<p>*Follow  USA Songwriting Competition on Facebook:</p>
<p>http://www.facebook.com/pages/USA-Songwriting-Competition/262844446590</p>
<p>*ASCAP</p>
<p>http://www.ASCAP.com</p>
<p>*Folk  Alliance</p>
<p>http://www.folk.org</p>
<p>*AirplayAccess.com &#8211; available  to Program Directors, Music Directors, Syndicate Radio, and Internet  radio. Radio airplay is tracking using the STS technology. AirplayAccess  is the music industry&#8217;s answer for fast, secure music delivery,  enabling registered industry professionals, records labels, artist/bands  to get their promotional music directly to radio as broadcast quality  digital files. Airplay Access is a complimentary service to radio  stations from a trusted name in radio airplay tracking&#8230;STS</p>
<p>http://AirplayAccess.com</p>
<p>*New  Music Weekly</p>
<p>http://www.newmusicweekly.com</p>
<p>*Loggins Radio  Promotion</p>
<p>http://www.logginspromotion.com</p>
<p>*Hal Leonard</p>
<p>http://www.halleonard.com</p>
<p>*Ibanez</p>
<p>http://www.ibanez.com</p>
<p>*Sony</p>
<p>http://www.sonystyle.com</p>
<p>*Livewire  Contacts</p>
<p>http://www.livewiremusician.com</p>
<p>*Onlinegigs &#8211;  Onlinegigs Version 4 fully automates the booking and promotional process  for bands, booking agents, record companies and music managers.  Onlinegigs will do it all for you, from finding the right venue to  automatically reminding your fans about upcoming performances right on  their cell phones.</p>
<p>http://www.onlinegigs.com</p>
<p>*Intellitouch  Tuners</p>
<p>http://www.tuners.com</p>
<p>*SongFrame &#8211; Songwriting Software  for writing and refining songs</p>
<p>http://www.tanageraudioworks.com/Products/SongFrame</p>
<p>*Sonoma  Wire Works</p>
<p>http://www.sonomawireworks.com</p>
<p>*Recycle Your CDs</p>
<p>http://www.cdrecyclingcenter.org</p>
<p>===[  To Advertise ]===============================================<br />
To  advertise in the newsletter, please e-mail: ira@songwriting.net<br />
==================================================================</p>
<p>Many thanks to SOCAN, ASCAP, BMI and Music Connection  magazine.</p>
<p>We urge you to help Haiti, in light of the earthquake  earlier this month:<br />
<a href="https://secure3.convio.net/arc3/site/Donation2?idb=0&amp;df_id=1320&amp;1320.donation=form1">https://secure3.convio.net/arc3/site/Donation2?idb=0&amp;df_id=1320&amp;1320.donation=form1</a></p>
<p>&#8230;Jessica  Brandon, Artist Relations ~~</p>
<p>********************************************************************<br />
If  you would not like to receive any more updates on any<br />
songwriting  competitions or music news, or to unsubscribe,<br />
simply go to  http://www.songwriting.net/join<br />
and click on &#8220;leave&#8221;</p>
<p>This  message is in full compliance with U.S. Federal requirements for<br />
commercial  email under bill S.1618 Title 111, Section 301, Paragraph<br />
(a) (2)  (C), passed by the 105th U.S. Congress and cannot be<br />
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